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That said, a number of up-and-coming younger players are starting to add techniques more commonly seen among American bluegrass specialists. The vibrato technique is not often used, in the same way that many characteristics of more modern classical playing tend to be avoided. There is a bias towards single bowing, and the bow strokes themselves are normally short.
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Clare band Moher on the Irish Fiddle at The Doolin Folk Festival 2016. Much of the music that is suited to it is in the dance style, though there are also many slower tunes that are synonymous with the pleading sound that the very best players can produce. The instrument may be played solo or as part of an ensemble, and it is an essential part of any traditional Irish seisún. The bow can be held in a number of ways – at the nut or at some point along the length.įiddling is a very individual art, and the bow wrist may be stiff or loose and the pressure heavy or light, depending on the style of the musician. It is a fairly quiet instrument which can be played in a seated or standing position. This is almost certainly the most universally played instrument in Irish music, and it is accorded a high status among musicians. Its expressive sounds and flexible nature meant that it was able to adapt to the personality of many forms of indigenous music, including Irish music. Thus, by the early 1800s, the instrument had reached its present form. The gut strings were also replaced with ones made from steel or wire, and shoulder and chin rests were added to make it more comfortable to play. Over time, various refinements were made to the design, including a longer fingerboard that was placed at an angle. This version, used in the sort of Irish Traditional Music commonly played in a seisún, comprised gut strings, a foreshortened fingerboard and a diminutive arched bow and was typically played with the body leaning on the musician’s chest and the neck facing downwards. In Europe, a huge variety of stringed bow-played instruments have been in use since the arrival of the bow technique from Asia in the 10th century.īy the 1700s, the classic four-stringed version was an established instrument in Italy, from where it spread over the whole of continental Europe and beyond. It can be played with either the body or the neck uppermost. The side that is stringed faces away from the player. The resultant vibrations are intensified by the resonator (which may have cut-out sound holes in the front). The instantly recognisable sound of the instrument is produced via the friction created by the bow as it is run over the strings.ĭifferent notes are achieved by pressing the strings at various points down the neck of the instrument with the tips of the fingers. They are descended from the lute, which was a basic instrument with strings made most often from gut.īows exists in a variety of forms and sizes and normally consist of a long wooden structure with a length of hair or other material running from end to end.